Music Education and Regional Cultural Integration: The Exploration of Value and Pathway
DOI:
https://doi.org/10.71222/9g8h1162Keywords:
music education, regional culture, cultural integration, value analysis, practical approachesAbstract
Music education and regional cultural integration are important for improving educational quality, promoting cultural inheritance, and fostering cultural innovation. Based on the regional cultural attributes of music education and its influence mechanism, this study proposes a theoretical model of music education and cultural integration and explores its theoretical basis from an international perspective. After reviewing the literature and case studies on music education and regional cultural integration, this study summarises historical experiences to inspire the current integration path. This study further analyzes the diverse values of integrating music education and regional culture in terms of cultural inheritance and improving educational quality. Building on this foundation, this study looks ahead to future development directions, such as technological empowerment, cultural integration in a globalised context, sustainable development, and cross-border cooperation. This study provides systematic guidance for the integration of music education and regional culture in theory and practice, offering important academic and practical significance.
References
1. R. Bai and E. Jimenez, “Research on the application of intangible cultural heritage education in music teaching in local middle schools: Taking ‘Hequ Folk Songs’ as an example,” Front. Art Res., no. 17, 2023, doi: 10.25236/FAR.2023.051716.
2. Z. Chen, Y. Liu, and D. Wei, “Research on the integration path of local music culture and music education in local colleges and universities—Taking Baoding College as an example,” Creat. Educ., vol. 13, no. 12, pp. 3794–3800, 2022, doi: 10.4236/ce.2022.1312241.
3. X. Ren, “Integration of music teaching and native ethnic music in Yunnan’s institutions of higher learning,” in Proc. Int. Conf. Contemp. Educ. Social Sci. Humanit., 2016, doi: 10.2991/iccessh-16.2016.21.
4. R. M. Legette, “Multicultural music education attitudes, values, and practices of public school music teachers,” J. Music Teach. Educ., vol. 13, no. 1, pp. 51–59, 2003, doi: 10.1177/10570837030130010107.
5. W.-J. Yan and K.-R. Li, “Sustainable cultural innovation practice: Heritage education in universities and creative inheritance of intangible cultural heritage craft,” Sustainability, vol. 15, no. 2, p. 1194, 2023, doi: 10.3390/su15021194.
6. J. Devine, “Work in progress: Can Bourdieu’s habitus provide a theoretical framework for engineering education research?,” in Proc. Front. Educ. Conf., 2012, doi: 10.1109/FIE.2012.6462386.
7. M. Krušinská, “Music pedagogy in the context of ethnopedagogy: Theoretical background of music education in regional culture-oriented schools in Slovakia,” Musica, no. 2, pp. 41–56, 2022, doi: 10.24132/ZCU.MUSICA.2022.02.41-56.
8. L. Qiu, S. Chuangprakhon, and S. Jian, “Qualitative analysis of the transmission and preservation strategies for Qin'an Xiaoqu folk music in Gansu, China,” Multidiscip. Sci. J., vol. 6, no. 4, 2024.
9. Y. Yang, “Teaching traditional music in Mainland China,” in Creative Arts in Education and Culture: Perspectives from Greater China, Dordrecht: Springer Netherlands, 2013, pp. 133–142, doi: 10.1007/978-94-007-7729-3_10.
10. W.-C. Ho, “Teachers’ perspectives on cultural and national values in school music education between multiculturalism and nationalism in Taiwan,” Asia Pac. J. Educ., vol. 42, no. 4, pp. 627–640, 2022, doi: 10.1080/02188791.2021.1873101.
11. C. Achille and F. Fiorillo, “Teaching and learning of cultural heritage: Engaging education, professional training, and experimental activities,” Heritage, vol. 5, no. 3, pp. 2565–2593, 2022, doi: 10.3390/heritage5030134.
12. W. Zhou et al., “Chinese local music teaching materials: A review from 1934 to 2022,” Soc. Sci. Humanit. Open, vol. 9, p. 100742, 2024, doi: 10.1016/j.ssaho.2023.100742.
13. S. Xie, T. Hin-on, and P. Sapaso, “Integrating traditional Chinese music into contemporary music education: An evolutionary perspective”, doi: 10.70082/esiculture.vi.672.
14. Z. Z. Azamovna, “Music pedagogy skills of a music culture teacher,” Eur. J. Res. Reflect. Educ. Sci., vol. 8, no. 4, 2020.
15. M. Jiang, “The optimization of curriculum system for music education professionals in the inheritance and transmission of intangible cultural heritage music,” Pac. Int. J., vol. 8, no. 2, pp. 139–146, 2025, doi: 10.55014/pij.v8i2.801.
16. A. Abarry, “The African-American legacy in American literature,” J. Black Stud., vol. 20, no. 4, pp. 379–398, 1990, doi: 10.1177/002193479002000401.
17. Y. Wang and Y. Teng, “Research on the new mode teaching of ‘Three Dimensional Five Movements’ music appreciation course,” Creat. Educ., vol. 15, no. 4, pp. 512–520, 2024, doi: 10.4236/ce.2024.154031.
18. F. Bi and T. F. T. Anuar, “Research on regional culture integration and community cultural development mechanisms,” Asian J. Res. Educ. Soc. Sci., vol. 6, no. 2, pp. 402–407, 2024.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Zhongmou Zhang (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.