Study on the Role and Emotional Expression of the Cello in Ensemble Performance

Zhiyun Yang

doi:10.5281/zenodo.15534561

Authors

Zhiyun Yang Roosevelt University, Chicago, Illinois, USA Author

DOI:

https://doi.org/10.5281/zenodo.15534561

Keywords:

ensemble performance, emotional expression, acoustic features, multiple regression analysis

Abstract

In this paper, we explore the role of the cello in an ensemble both functionally and emotionally. We have selected representative symphonic and chamber music works and analyzed their acoustic characteristics, such as spectral distribution, dynamic range, and duration, from recordings. This analysis allowed us to assess the performers' skills and gather listener evaluations through questionnaires and interviews. By multiple regression and cluster analyses, we clarify how diverse acoustic features and instrumental skills work towards emotional expression. The study, through the analyses, reveals several key points: (1) the cello's low-frequency timbre is a significant factor in the overall tonal balance of the ensemble; (2) certain performance techniques (legato as an example of the techniques, and vibrato) of the cello symbolize distinct pairs of emotions such as sadness and happiness; and (3) the listeners' emotional cello-timbre perceptions are in the same direction as the measurable changes of the acoustic features of this instrument. At the end of the paper, we provide ideas on the necessary cello placements for different ensemble configurations and consider the future implications of these findings in music-emotion computing and intelligent performance assistance.

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